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Sara Roberts' Clump and Whistle

In Partnership with Machine Project. As part of the Getty initiative Pacific Standard Time Presents: Modern Architecture in L.A., Machine Project asked artists to take on the whole environment of Los Angeles and create performances shot on video and edited into short experimental films in response to notable architectural sites throughout the city.
 

"Clump and Whistle" is an emergent performance based on principles extrapolated from Elias Canetti's book "Crowds and Power." The book by the 1981 winner of the Nobel Prize in Literature, is considered a masterwork of philosophical anthropology in which Canetti examines the formation and dissolution of crowds, the manipulation of power within crowds, mass psychology, and the dynamics of social life.


See more Machine Project:

Welcome to the Field Guide to L.A. Architecture
Artbound will be chronicling the collective creation of the Machine Project "Field Guide to L.A. Architecture" by featuring a diverse offering of essays, interviews, and the artists' videos.

Jmy James Kidd and the Sunland Dancers on Flat Top Hill
Choreographer Jmy James Kidd's group, The Sunland Dancers, performed "Welcome," on Montecito Heights' Flat Top Hill at sunset in June 2013.

17 Weird Pool Performances Your Swim Coach Doesn't Want You To Know About
In "Wash," an audience was encouraged to swim and explore an underwater viewing room over the course of a slowly shifting three-hour pool performance.

Jacqueline Gordon's L.A. Food Center Soundscapes
"Everyone Will Be Here Now But Me" is an immersive sound installation where the public explores endless hallways, windowless offices, and stairwells of a mixed-use building.

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Machine Project leads a singalong underneath the spinning "Happy Foot/Sad Foot" sign on Sunset Blvd.

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Artist Cliff Hengst embarked from The Beverly Hilton to perform "It's Not Right But It's OK," perhaps the first ever historic autobiographical semi-fictionalized disembodied drag double decker bus tour.

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