Back to Show
Artbound
Filmmaker Moctesuma Esparza Reflects on 'Requiem-29'
In August 1970, students in UCLA’s “ethno-communications” program took on a class project — a film that documents the 1970 Chicano Moratorium against the war in Vietnam. The film, “Requiem-29,” presents footage of the march in East L.A., the brutal police response and an investigation into the killing of journalist Ruben Salazar. Filmmaker Moctesuma Esparza reflects on "Requiem-29," decades later.
Support Provided By
Season
57:03
The life of the visionary musician, dancer and activist Nobuko Miyamoto.
56:38
Brockman Gallery was the center of a community of Black artists in L.A. from 1967-1990.
56:33
West Coast Modernism took hold in post-WWII with the “Case Study Houses” program.
56:59
NASA’s Jet Propulsion Laboratory transforms science into awe-inspiring creative projects.
57:08
Follow Cheech Marin's journey from comedy icon to Chicano art advocate.
56:43
Chronicling the 58-year history of the longest running theatre of color in the U.S.
55:51
Angel City Press has been shaping and influencing public understanding of LA for decades.
56:39
Artists-In-Residence programs provide artists opportunities to create uninterrupted work.
56:40
Following the Watts Uprising, UCLA increased film program enrollment of students of color.
56:43
David Alfaro Siqueiros created Olvera Street’s popular mural with an innovative technique.
56:43
Two Chinese restaurants became the unlikely epicenter of L.A.’s burgeoning punk scene.
56:17
Rubén Ortiz-Torres explores his past and present in an uncertain socio-economic future.