Holly Willis
Holly Willis teaches in USC's School of Cinematic Arts and writes about new media art. She is the author of "New Digital Cinema: Reinventing the Moving Image" and editor of "The New Ecology of Things" on pervasive computing.
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A video depicts the impact of a major earthquake, and encourages preparedness. Now.
Crafting sleek, interactive bodysuits in her Marina del Rey studio, media artist Tiffany Trenda questions the changing nature of scanning, touching and connecting in a wired world.
Can data be beautiful? Can it tell stories? Media artist Refik Anadol thinks so, and his artworks are a testament to the delights of data.
The 3D animation of David O'Reilly is free of Hollywood polish, instead offering glitchy visuals with strong emotional resonance.
L.A.-based media artist John Carpenter uses touch-based computer systems to convey the wonder and joy of embodied exploration.
Stas Orlovski "Chimera," inspired by the projections of the 18th and 19th century Phantasmagoria shows, creates a moving drawing of visual effusiveness.
The puppetry of Janie Geiser brings together a lot of different media elements to create experiences that are themselves between worlds.
Miwa Matreyek's work connects live performance with projected imagery, and in the process celebrates the fundamental magic of cinema.
Jeff Frost works in time-lapse, stop motion, and paint to create portraits of imaginary worlds by collaging the real and the painted.
Abigail Child brings her brilliant experimental films and video to REDCAT, showing how words and images merge to create a new poetics.
The future still looks to the past for inspiration - this week Abigail Child recalls early cinematic techniques for contemporary visual exploration and the Academy recalls the early days of projection...